This blog has turned from a journey of six books to one of seven! What do you think? Should I keep this blog going and add to the journey or begin a new blog?
Let’s continue with the 7th book, ‘Jiddy Vardy.’ It’s very different from that of Sun, Moon & Co!
Jiddy Vardy has been on a massive journey since I first wrote a screenplay about a young half-Italian girl who becomes a loyal, courageous smuggler in a tiny Yorkshire coastal village. Agents and film companies loved the smuggling romp but not enough to finance a film.
From that film script, one agent was interested in signing me up and it was because of him, I started writing novels. He encouraged me to turn another screenplay, ‘Meeting Coty’ into my first published book with Kings Hart Books.
Unfortunately, neither that Agent or Publisher are still in business. That is a whole other story, stories!! At some point, when we are sitting cosy by a roaring fire and it’s snowing hard outside, I may tell you!
So. Back to Jiddy’s Journey. I turned the screenplay into a novel and believe me, the journey of learning to write in a different format also requires further discussion!
So. The novel of Jiddy Vardy was complete….
Remember Agent Jane? She signed me onto her books because she loved Jiddy. Unfortunately, a year later, no-one else did and she let me go. Even though I knew something wasn’t quite right, it really shook me. It made me question what I was doing, why was I spending so much time and energy writing…what was the point? I didn’t write properly for a couple of months. I went on lock down to a large extent. The world may not have noticed, but my heart did.
In that time, I asked lots of questions. Thoughts came in. Ideas. It made me look at my work more closely and at myself. There is a theme going in what I write. My characters all seem to be trying to find their place in the world. Is that what I’m doing too? Through them? In the end, it made me wonder if my work is actually more Young Adult because this is the time we are most trying to find our place in the larger world.
And so I began re-writing Jiddy Vardy as Young Adult Fiction. The fact that adults are often searching for their place too just seemed to make the book even more relevant.
Why am I so interested in this? I don’t know if it’s because I’ve mainly been a Freelance worker in Theatre and TV which means six months here, three there, two somewhere else. Always a new place, new people and a new role. Finding my place every time. And I still am.
So, Jiddy is trying to find her place as well as Jiddy Vardy, the book.
And then a new publisher came along. ZunTold, based in Manchester. They love the book and it’s being, hopefully, published in June 2018. Finally, Jiddy Vardy has found her place.
I haven’t written a post on Artgoesglobal for some months because I have been working on a new title in a different area of writing.
The book is ‘Jiddy Vardy’ and it’s a YA book that hurray!! Will be published in summer 2018. It has just gone to the proof reader after writing, re-writing, editing, being edited and thinking, dreaming and speaking about it.
The cover is being finalised and maps are being drawn.
How do I feel? I can’t believe it is real and yet it is. The most exciting thing? Seeing the cover!
Review copies being sent out in January. And I will be opening a new wordpress site to suit the new books I’ll be writing.
I’ll be posting photos of the setting, the process, what else has been going on and links to all these.
And the colourful books that have opened up new ways of looking at art and the core part of Artgoesglobal? This is what is wonderful too – I’m part of a growing bartering collective – so if you’d like a book or books – let’s barter!!
Just been interviewed by Phil Trow and Michelle Adamson on the Breakfast Show on Radio Manchester about writing and specifically about ‘Line of Duty’ concluding on Sunday.
Now, I’m not a crime writer, but I am riveted to this series (the first of these I have watched by the way!)
Endings. Does a Writer always have the ending in place? For me, yes, but I know others who don’t. I map the story out, but I am also flexible about it. For Crime, I’d say it’s pretty imperative.
If you know the ending, you can lay the clues on the way to it. If you know the ending, you can flow towards it. If you know the ending, it keeps you, the writer, focused. It’s like ‘All roads lead to Rome.’ It helps to know the ending.
The ending mustn’t be by chance. It must make sense. The reader/viewer/listener must feel satisfied. The right end for the characters and the crime. This is what is important, what is right for the characters. And it’s great if people go away and discuss and talk about it.
In a long running series, story lines will overlap. I haven’t seen previous series of Line of Duty and I feel that murder cases are going to link up in the final episode. Is this fair? Should a series be complete in itself?
Maybe because I am more interested in Roz Huntley than who is Balaclava Man, and the crimes and characters have on going lives, then I find this gives added depth. Great plotting.
What do you think?
I’d picked up and read the first page of ‘Looking for Alaska’ by John Green (Young Adult novel) and put it down again.
I can’t remember why I did this, maybe because I thought ‘ugh’ another book about school. So, I read several other books.
And on Monday, I was going away for a few days to the Lakes and looked through the pile, wondering which book to take. ‘Oh go on, give ‘Looking for Alaska’ a go.
I finished it in the three days we were there. There was smoking and drinking and talk about sex and some intimate moments in the book – useful to know how these are done in a YA book.
Why did I like it?
1) The sense of humour.
2) I like learning something new when I read a book, I learned about dying people’s last words.
3) I was reminded to give a character some unique trait. Important that one.
4) There was a mystery of sorts at the end. Little flaw, I did guess the key about Alaska near the end. Though I like the ambiguity we were left with.
5) And there was a message, even though as writers we are told not to put a message in. I love a message! Forgive. Forgive ourselves and others.
So I’m glad we went away for a few days because it was wonderful in the Lakes in springtime and it also meant I did read ‘Looking for Alaska.’ Win, win.
PS – sorry if I’ve told you a little bit too much information about the book if you haven’t read it. 🙂
I’m reading a lot of Young Adult Fiction at the moment. ‘The Sun is also a Star’ by Nicola Yoon has been one of my favourites so far. It was first published in 2016.
The book I read before this was ‘I Capture the Castle’ by Dodie Smith, first printed in 1949. At the time this wasn’t classified as Young Adult because the term didn’t exist. It has been reprinted by Virago, reclaiming it as a novel for all ages. It became my favourite above ‘The Sun is also a Star.’
This morning, I finished ‘The Stone Diaries’ by Carol Shields. First published in 1993. A novel, not Young Adult.
I like this book the best. ‘The Stone Diaries’ made my heart sing. It has lists, glorious lists, it slips between characters, sliding between their exterior and interior worlds. It has phrases, sublime, mesmerizing phrases that touch your soul. You don’t understand them, but they speak to you. It takes its time, it repeats, it cradled me in another time and place and it taught me things. It makes me want to do things. It made me smile. It showed me truth about the human condition. You could wander through sentences and soak in fragrances and colours and places. I feel different for having read it. It has reinforced the way I want to write. Thank you, ‘The Stone Diaries,’ thank you for not being logical in every phrase but for capturing the essence like an abstract painting. Thank you.
I’m reading Young Adult books at the moment as I’m writing a novel aimed at this market. The latest book, which I’ve read before, is ‘I Capture the Castle’ by Dodie Smith. (She wrote 101 Dalmations) I never thought of it as a ‘young adult’ book when I first read it; it was a novel.
Anyway, that is a different discussion to the one that hit me when I read a certain paragraph. I’ve noted three in the book that have specifically given me inspiration and confirmation. I’ll blog about the others on another day.
By the way, Virago have published the book because they believe it is for all ages – which it is.
The section though and this comes after recent discussions with others at SCBWI is about ‘does everything have to make sense in a novel.’ I’ve always argued that I don’t need it to. If a phrase sounds beautiful, then I’m happy for it not to make sense. And I’m happy to get the gist of something rather than it always being spelled out for me. I see fiction as a work of art, not a piece of factual, backed up journalism.
There. Said it.
So, the confirmation when reading something I believe in myself:
I Capture the Castle, page 294 in the Virago copy.
Conversation between Cassandra and her brother Thomas about their father’s writing. How some don’t understand the experimental book he’s written. (Harry is Thomas’ friend)
“And who says you always have to understand things? You can like them without understanding them – like ’em better sometimes. I ought to have known Harry’s father would be no help to us – he’s the kind of man who says he enjoys a good yarn.’
Now I’m off to write something wonderfully nonsensical. On a side note, this goes for people too!